Friday, November 24, 2017

Kumar Sangakkara

Kumar Sangakkara was born on 27th of October, 1977 in Kandy. He studied at Trinity College, Kandy. He played his first test match for Sri Lanka in 2000 against South Africa.
He is a left handed top order batsman and holds many records as a batsman. He captained Sri Lanka for five years. Under his captaincy, Sri Lanka could win a lot of test matches. After playing for long fifteen years, he retired in 2015.
He speaks good English. He has become a well-known cricket commentator and he is loved by almost all cricket fans worldwide. He is a humble player and he used to respect the rules of the game a lot when he was playing cricket. Kumar Sangakkara has made our country proud.

Prasadini Premaratne/Horana/18.11.2017

A Trip to a Botanical Garden

I went to the Peradeniya Botanical Garden last week with my family. I was accompanied by my parents, my only sister and grandma. We left home by six o’ clock and reached there at ten o’ clock. Now that it was a long weekend, a lot of people were there.
It was a wonderful morning and it was not sunny as well. As soon as we got off the car, my sister and I ran to the botanical garden. My parents and grandma followed us. Two of us were surprised to see the flowers bloomed. Of course, we were thrilled by their beauty. Different types of flowers were there. We took a couple of photographs.
We walked along the path where there were huge palm trees. They were gigantic. Father showed us one of the biggest bamboo trees of Sri Lanka. All the trees were tall and huge. Both local and foreign young people and adults were resting under those trees. We walked around the garden.
We were surprised to see roses and orchids. They were of different colours. Some of them could be found only in our country. None of the flower planets was to be sold out. We were there for more than five hours. All of a sudden it started raining heavily. Thus, we rushed out of the garden. We had our lunch just after coming out of the garden. My father bought us ice cream and fresh pears.
We left Peradeniya by four o’ clock. Of course, it was a wonderful and amazing picnic. We enjoyed it a lot.

Saumya Aloysius/Anuradhapura/18.11.2017

Revised Time Table

Aloysius College
No.22, Jaffna Road, Anuradhapura
December Vacation Time Table -2017              071-8309137/025-2236029
11/12 December, 2017
Time
Mathematics
Science
Health
Citizenship
8.00-10.00
Grade-09
Grade-08
Grade-07
Grade-10
10.00-12.00
Grade-08
Grade-10
Grade-09
Grade-07
12.30-2.30
Grade-10
Grade-07
Grade-08
Grade-09
2.30-4.30
Grade-07
Grade-09
Grade-10
Grade-08

13/14 December, 2017
Time
Mathematics
Science
English
7.30-10.30
Grade-06-old
Grade-06 new

10.30-1.30
Grade-06-new
Grade-06- old

2.00-400


Grade-06 new/ Grade-06- old

13/14 December, 2017
Time
English
Tamil
8.00-12.00
Grade-8/9

12.30-4.30

Grade-8/9
15/17 December, 2017
Time
Health
Citizenship
English
7.30-10.30
Grade-06-old
Grade-06 new

10.30-1.30
Grade-06-new
Grade-06- old

2.00-400


Grade-06 new/ Grade-06- old

15/17 December, 2017
Time
English
English
8.00-12.00
Grade-09
Grade-10
18/19 December, 2017
Time
Tamil
8.00-12.00
Grade-06/New/06/Old/07


Friday, November 3, 2017


Emily Brontë
Novelist
Emily Jane Brontë was an English novelist and poet who is best known for her only novel, Wuthering Heights, now considered a classic of English literature. Wikipedia
DiedDecember 19, 1848, Haworth, United Kingdom
Whatever our souls are made of, his and mine are the same.
Every leaf speaks bliss to me, fluttering from the autumn tree.
Love is like the wild rose-briar; Friendship like the holly-tree. The holly is dark when the rose-briar blooms, but which will bloom most constantly?




Robert Frost
American poet
Robert Lee Frost was an American poet. His work was initially published in England before it was published in America. He is highly regarded for his realistic depictions of rural life and his command of American colloquial speech. Wikipedia
Two roads diverged in a wood, and I -- I took the one less traveled by, and that has made all the difference.
These woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.
In three words I can sum up everything I've learned about life: it goes on.


Character Analysis-Wuthering Heights

Character Analysis- Heathcliff
To everyone, but Catherine and Hareton, Heathcliff seems to be an inhuman monster or even incarnate evil. From a literary perspective, he is a man of stormy emotions, who shuns humanity because he himself has been ostracized; a rebellious hero, who functions as a law unto himself. Heathcliff is both despicable and pitiable. His one sole passion is Catherine, yet his commitment to his notion of a higher love does not seem to include forgiveness.
Readers need to determine if his revenge is focused on his lost position at Wuthering Heights, his loss of Catherine to Edgar, or if it his assertion of dignity as a human being. The difficulty most readers have relating to and understanding Heathcliff is the fact that he hates as deeply as he loves; therefore, he is despised as much as he is pitied.
Character Analysis- Catherine Earnshaw
 Often viewed as the epitome of the free spirit, Catherine is torn between two worlds. On the one hand, she longs to be with Heathcliff, her soul mate: their life together, growing up and playing on the moors, represents the freedom and innocence of childhood. On the other hand, she recognizes what a marriage to Edgar can do for her socially, and she enjoys those things that Edgar can provide for her. Ultimately, she is self-absorbed and self-centered, and although she claims to love both Heathcliff and Edgar, she loves herself more, and this selfish love ends up hurting everyone, who cares for her.
Not until she nears death does Catherine turn exclusively towards Heathcliff, abandoning Edgar. Ironically, Heathcliff does not fully forgive her, and because of this, Edgar is the man, who gives every appearance of loving Catherine unconditionally.
Character Analysis- Cathy Linton
Cathy's nature, a combination of both her parents, is key to revising the past. Her wildness and willfulness lead her to Wuthering Heights and the problems and pitfalls related therein. Her constant loyalty, good nature, and perseverance, however, eventually restore order and love to the farmhouse, thwarting Heathcliff's plans for revenge.
Just as Catherine's presence dominates the first half of the text, Cathy's rules the second. Edgar tries to keep her from Wuthering Heights and from Heathcliff, but her attraction to a man and her independent nature — characteristics that mirror her mother — once again make Edgar's appeals ineffective.
Character Analysis Edgar Linton
Edgar represents the typical Victorian hero, possessing qualities of constancy and tenderness; however, a non-emotional intellectual is not the type of person, who can make Catherine happy in the long run. Edgar loves and understands Catherine more than anyone realizes, but love alone is not enough to sustain a relationship. He ends up losing everything, his wife, his sister, his daughter, and his home to Heathcliff because good does not always overcome evil. He is a foil for Heathcliff.
Character Analysis-Ellen (Nelly) Dean
Nelly serves as both outsider and insider as she narrates the primary story of Wuthering Heights. Although she does not exhibit the extreme lengths of cruelty shown by Heathcliff and Catherine, Nelly often is an instigator, who enjoys the conflict around her. Nelly can be seen as a combination of Heathcliff's cruelty and Catherine's self-centeredness.
Heathcliff's Obsession
Throughout Wuthering Heights two distinct yet related obsessions drive Heathcliff's character: his desire for Catherine's love and his need for revenge. Catherine, the object of his obsession, becomes the essence of his life, yet, in a sense, he ends up murdering his love. Ironically, after her death, Heathcliff's obsession only intensifies.
Heathcliff's love for Catherine enables him to endure Hindley's mal treatment after Mr. Earnshaw's death. But, after overhearing Catherine admits that she could not marry him, Heathcliff leaves. Nothing is known of his life away from her, but he returns with money. Heathcliff makes an attempt to join the society to which Catherine is drawn. Upon his return, she favors him to Edgar, but still he cannot have her. He is constantly present, lurking around Thrushcross Grange, visiting after hours, and longing to be buried in a connected grave with her so their bodies would disintegrate into one. Ironically, his obsession with revenge seemingly outweighs his obsession with his love, and that is why he does not fully forgive Catherine for marrying Edgar.
After Catherine's death, he must continue his revenge, a revenge that starts as Heathcliff assumes control of Hindley's house and his son, and continues with Heathcliff taking everything that is Edgar's. Although Heathcliff constantly professes his love for Catherine, he has no problem attempting to ruin the life of her daughter. He views an ambiguous world as black and white: a world of haves and have-nots. And for too long, he has been the outsider. That is why he is determined to take everything away from those at Wuthering Heights and Thrushcross Grange, who did not accept him. For Heathcliff, revenge is a more powerful emotion than love.
Major Themes
Of the major themes in Wuthering Heights, the nature of love, both romantic and brotherly but, oddly enough, not erotic, applies to the principal characters as well as the minor ones. Every relationship in the text is strained at one point or another. Brontë's exploration of love is best discussed in the context of good versus evil, which is another way of saying love versus hate. Although the polarities between good and evil are easily understood, the differences are not that easily applied to the characters and their actions.
The most important relationship is the one between Heathcliff and Catherine. The nature of their love seems to go beyond the kind of love most people know. In fact, it is as if their love is beyond this world, belonging on a spiritual plane that supersedes anything available to everyone else on Earth. Their love seems to be born out of their rebellion and not merely a sexual desire. They both, however, do not fully understand the nature of their love, for they betray one another: Each of them marry a person, whom they know they do not love as much as they love each other.
Contrasting the capacity for love is the ability to hate. And Heathcliff hates with a vengeance. Heathcliff initially focuses his hate toward Hindley, then to Edgar, and then to a certain extent, to Catherine. Because of his hate, Heathcliff resorts to what is another major theme in Wuthering Heights, revenge. Hate and revenge intertwine with selfishness to reveal the conflicting emotions that drive people to do things that are not particularly nice or rationale. Some choices are regretted while others are relished.
These emotions make the majority of the characters in Wuthering Heights well rounded and more than just traditional stereotypes. Instead of symbolizing a particular emotion, characters symbolize real people with real, oftentimes not-so-nice emotions. Every character has at least one redeeming trait or action with which the reader can empathize. This empathy is a result of the complex nature of the characters and results in a depiction of life in the Victorian Era, a time when people behaved very similarly to the way they do today.
Book Summary
Wuthering Heights opens with Lockwood, a tenant of Heathcliff's, visiting the home of his landlord. A subsequent visit to Wuthering Heights yields an accident and a curious supernatural encounter, which pique Lockwood's curiosity. Back at Thrushcross Grange and recuperating from his illness, Lockwood begs Nelly Dean, a servant who grew up in Wuthering Heights and now cares for Thrushcross Grange, to tell him of the history of Heathcliff. Nelly narrates the main plot line of Wuthering Heights.
Mr. Earnshaw, a Yorkshire Farmer and owner of Wuthering Heights, brings home an orphan from Liverpool. The boy is named Heathcliff and is raised with the Earnshaw children, Hindley and Catherine. Catherine loves Heathcliff but Hindley hates him because Heathcliff has replaced Hindley in Mr. Earnshaw's affection. After Mr. Earnshaw's death, Hindley does what he can to destroy Heathcliff, but Catherine and Heathcliff grow up playing wildly on the moors, oblivious of anything or anyone else — until they encounter the Lintons.
Edgar and Isabella Linton live at Thrushcross Grange and are the complete opposites of Heathcliff and Catherine. The Lintons welcome Catherine into their home but shun Heathcliff. Treated as an outsider once again, Heathcliff begins to think about revenge. Catherine, at first, splits her time between Heathcliff and Edgar, but soon she spends more time with Edgar, which makes Heathcliff jealous. When Heathcliff overhears Catherine tell Nelly that she can never marry him (Heathcliff), he leaves Wuthering Heights and is gone for three years.
While he is gone, Catherine continues to court and ends up marrying Edgar. Their happiness is short-lived because they are from two different worlds, and their relationship is strained further when Heathcliff returns. Relationships are complicated even more as Heathcliff winds up living with his enemy, Hindley (and Hindley's son, Hareton), at Wuthering Heights and marries Isabella, Edgar's sister. Soon after Heathcliff's marriage, Catherine gives birth to Edgar's daughter, Cathy, and dies.
Heathcliff vows revenge and does not care who he hurts while executing it. He desires to gain control of Wuthering Heights and Thrushcross Grange and to destroy everything Edgar Linton holds dear. In order to exact his revenge, Heathcliff must wait 17 years. Finally, he forces Cathy to marry his son, Linton. By this time he has control of the Heights and with Edgar's death, he has control of the Grange.
Through all of this, though, the ghost of Catherine haunts Heathcliff. What he truly desires more than anything else is to be reunited with his soul mate. At the end of the novel, Heathcliff and Catherine are united in death, and Hareton and Cathy are going to be united in marriage.






Stopping by Woods on a Snowy Evening

Stopping by Woods on a Snowy Evening
On a dark winter evening, the narrator stops his sleigh to watch the snow falling in the woods. At first, he worries that the owner of the property will be upset by his presence, but then he remembers that the owner lives in town, and he is free to enjoy the beauty of the falling snow. The sleigh horse is confused by his master’s behavior stopping far away from any farmhouse and shakes his harness bells in impatience. After a few more moments, the narrator reluctantly continues on his way.
Analysis
In terms of text, this poem is remarkably simple: in sixteen lines, there is not a single three-syllable word and only sixteen two-syllable words. In terms of rhythmic scheme and form, however, the poem is surprisingly complex. The poem is made up of four stanzas, each with four stressed syllables in iambic meter. Within an individual stanza, the first, second, and fourth lines rhyme (for example, “know,” “though,” and “snow” of the first stanza), while the third line rhymes with the first, second, and fourth lines of the following stanza (for example, “here” of the first stanza rhymes with “queer,” “near,” and “year” of the second stanza).
One of Frost’s most famous works, this poem is often touted as an example of his life work. As such, the poem is often analyzed to the minutest detail, far beyond what Frost himself intended for the short and simple piece. In reference to analyses of the work, Frost once said that he was annoyed by those “pressing it for more than it should be pressed for. It means enough without its being pressed…I don’t say that somebody shouldn’t press it, but I don’t want to be there.”
The poem was inspired by a particularly difficult winter in New Hampshire when Frost was returning home after an unsuccessful trip at the market. Realizing that he did not have enough to buy Christmas presents for his children, Frost was overwhelmed with depression and stopped his horse at a bend in the road in order to cry. After a few minutes, the horse shook the bells on its harness, and Frost was cheered enough to continue home.
The narrator in the poem does not seem to suffer from the same financial and emotional burdens as Frost did, but there is still an overwhelming sense of the narrator’s unavoidable responsibilities. He would prefer to watch the snow falling in the woods, even with his horse’s impatience, but he has “promises to keep,” obligations that he cannot ignore even if he wants to. It is unclear what these specific obligations are, but Frost does suggest that the narrator is particularly attracted to the woods because there is “not a farmhouse near.” He is able to enjoy complete isolation.
Frost’s decision to repeat the final line could be read in several ways. On the one hand, it reiterates the idea that the narrator has responsibilities that he is reluctant to fulfill. The repetition serves as a reminder, even a mantra, to the narrator, as if he would ultimately decide to stay in the woods unless he forces himself to remember his responsibilities. On the other hand, the repeated line could be a signal that the narrator is slowly falling asleep. Within this interpretation, the poem could end with the narrator’s death, perhaps as a result of hypothermia from staying in the frozen woods for too long.
The narrator’s “promises to keep” can also be seen as a reference to traditional American duties for a farmer in New England. In a time and a place where hard work is valued above all things, the act of watching snow fall in the woods may be viewed as a particularly trivial indulgence. Even the narrator is aware that his behavior is not appropriate: he projects his insecurities onto his horse by admitting that even a work animal would “think it queer.”


Tuesday, October 31, 2017

Wuthering Heights

Heath Cliff
Throughout Wuthering Heights two distinct yet related obsessions drive Heathcliff's character: his desire for Catherine's love and his need for revenge. Catherine, the object of his obsession, becomes the essence of his life, yet, in a sense, he ends up murdering his love. Ironically, after her death, Heathcliff's obsession only intensifies.
Heathcliff's love for Catherine enables him to endure Hindley's maltreatment after Mr. Earnshaw's death. But, after overhearing Catherine admit that she could not marry him, Heathcliff leaves. Nothing is known of his life away from her, but he returns with money. Heathcliff makes an attempt to join the society to which Catherine is drawn. Upon his return, she favors him to Edgar, but still he cannot have her. He is constantly present, lurking around Thrushcross Grange, visiting after hours, and longing to be buried in a connected grave with her so their bodies would disintegrate into one. Ironically, his obsession with revenge seemingly outweighs his obsession with his love, and that is why he does not fully forgive Catherine for marrying Edgar.
After Catherine's death, he must continue his revenge — a revenge that starts as Heathcliff assumes control of Hindley's house and his son — and continues with Heathcliff taking everything that is Edgar's. Although Heathcliff constantly professes his love for Catherine, he has no problem attempting to ruin the life of her daughter. He views an ambiguous world as black and white: a world of haves and have-nots. And for too long, he has been the outsider. That is why he is determined to take everything away from those at Wuthering Heights and Thrushcross Grange, who did not accept him. For Heathcliff, revenge is a more powerful emotion than love.


Major Themes of Wuthering Heights


   Of the major themes in Wuthering Heights, the nature of love  both romantic and brotherly but, oddly enough, not erotic  applies to the principal characters as well as the minor ones. Every relationship in the text is strained at one point or another. Brontë's exploration of love is best discussed in the context of good versus evil (which is another way of saying love versus hate). Although the polarities between good and evil are easily understood, the differences are not that easily applied to the characters and their actions.
The most important relationship is the one between Heathcliff and Catherine. The nature of their love seems to go beyond the kind of love most people know. In fact, it is as if their love is beyond this world, belonging on a spiritual plane that supersedes anything available to everyone else on Earth. Their love seems to be born out of their rebellion and not merely a sexual desire. They both, however, do not fully understand the nature of their love, for they betray one another: Each of them marry a person whom they know they do not love as much as they love each other.
Contrasting the capacity for love is the ability to hate. And Heathcliff hates with a vengeance. He initially focuses his hate toward Hindley, then to Edgar, and then to a certain extent, to Catherine. Because of his hate, Heathcliff resorts to what is another major theme in Wuthering Heights revenge. Hate and revenge intertwine with selfishness to reveal the conflicting emotions that drive people to do things that are not particularly nice or rationale. Some choices are regretted while others are relished.

These emotions make the majority of the characters in Wuthering Heights well rounded and more than just traditional stereotypes. Instead of symbolizing a particular emotion, characters symbolize real people with real, oftentimes not-so-nice emotions. Every character has at least one redeeming trait or action with which the reader can empathize. This empathy is a result of the complex nature of the characters and results in a depiction of life in the Victorian Era; a time when people behaved very similarly to the way they do today.